Showing posts with label artists textiles. Show all posts
Showing posts with label artists textiles. Show all posts

Our Fashion and Textile Museum Adventure

Now you may have noticed that we both have a bit of a thing about fabric and pattern!  So it will come as no surprise that when we found out their was an Artists Textiles exhibition on at the Fashion & Textile Museum in London, we hot-footed it up there.

For those who have never heard of it, it's a small museum around the corner from London Bridge Station (near Borough Market too for an added foodie bonus) and let's just quote the website here: 

"The Fashion and Textile Museum is a cutting edge centre for contemporary fashion, textiles and jewellery in London. Founded by iconic British designer Zandra Rhodes, the centre showcases a programme of changing exhibitions exploring elements of fashion, textile and jewellery as well as the Academy which runs courses for creative students and businesses.

Situated in the heart of fashionable Bermondsey Village, in a fantastic building designed by Mexican architect Ricardo Legorreta, the FTM aims not just to display and collect items relating to fashion, jewellery and textile design, but to offer inspiration to a new generation of creatives. Now redeveloped and operated by Newham College, the museum is a hub of learning, ideas and networking for the fashion and jewellery industry."

Just about sums it up really.

The Museum as you can see is a paying museum, but with a National Art Pass you can always get a bit extra off the ticket price, so if you are a museum lover, it might be worth buying a card.

Anyway, H has been before to a Sanderson Exhibition a few years back and so it was a great excuse to go back and see what treats were in store this time.  The Artist Textiles exhibition (to once again quote the website) "traces the history of 20th century art in textiles. Highlights include work by Georges Braque, Alexander Calder, Marc Chagall, Salvador Dalí, Sonia Delaunay, Raoul Dufy, Barbara Hepworth, Fernand Léger, Henri Matisse, Joan Miró, Henry Moore, Pablo Picasso, Ben Nicholson and Andy Warhol.

The exhibition features examples of key European and American art movements: Fauvism, Cubism, Constructivism, Abstraction, Surrealism and Pop Art; as well as the work of leading fashion designers and manufacturers. Artist Textiles shows how ordinary people were once able to engage with modern art in a personal and intimate way through their clothing and home furnishings. With over 200 rare pieces, many of which have not been on public display before."


When we walked in, we walked through a small room and a corridor which started us on our journey to learning about Sonia Delaunay and Salvador Dali pieces, to name but a few.  One thing that struck me was that there was so much crossover between artists and designers in the 20th century, which seems to have been separated in recent years, but I really feel that we are starting to go back to that way of working, to Artists being fashion designers, architects planning exhibitions and designers making art.

The main exhibition room itself is two floors and this is where we started to see mannequins with dresses on and large pieces on the walls covering artists such as Picasso, Andy Warhol and of course Zandra Rhodes herself.  It was lovely to see items made up with the fabrics and the fabric pieces themselves, some of the lighting could have been a bit better for them to be shown in their best light, but it is difficult to get light on everything.  Of course there is the added concerns of fading fabrics also, so that may have been why.

These fabrics above were definitely cute and quirky and have the very 60's appeal.  Clothes are starting to get this treatment again with big bold prints being showcased more and more on the high street.

Overall, the Artists Textiles exhibition was very interesting and for fabric lovers it was a feast for the eyes.  I think for someone who didn't know much about the artists themselves it would have been difficult to pick up on what the artists were famous for outside of these pieces.  This exhibition was geared more for those who already know artists and what they are known for.  It is hard to half every little piece of information on display, but I think for the fanatic there could have been more in depth knowledge gained and for the novice it was pitched too high.

It did inspire me to go home and draw some patterns and look at all my 50's and 60's pattern books again.  I love the era and it reminded me why I love it.

The exhibition is open until Saturday 17th May and so you still have chance to go and see it.  If you do go, let us know what you think?  Or if you have been to see anything else like this, let us know in the comments below so we can check it out.

H

Who's Who: Kirsty Whitlock


This week we managed to catch up with Kirsty Whitlock, who has just won the Embroiderers’ Guild scholarship for 2012 and is from H' home town.  I saw her work in the local paper when visiting the folks and decided that you lovely people should know a bit about her!  

Artist Bio
Kirsty Whitlock graduated in Design Crafts at De Montfort University in 2009, gaining a First Class Honours. Here she established the use of materials and techniques she continues to use in her own practice today, as a Designer/Maker in Mixed Media Textiles.

She is currently based in Hampshire, where she continues to practice and develop an exciting new body of work.

Kirsty aims to push the boundaries of embroidery through the use of materials and application, eager to break the preconception of textiles. She wants to brace the future with works that surprise and inspire.

How did you start with Textile art? 
My degree is where I established the use of embroidery and the materials I continue to use in my practice today. During my final year at university I spent a lot of time exploring paper as a material; combining this with machine stitch I became extremely excited how embroidery had the power to transform a material or surface. I was immediately attracted to the tactile qualities and process of machine embroidery, using this as a drawing tool and a technique for mark making. 

Where do you work?
Working from my home studio I am working to commissions, exhibitions and retail fairs. Nether less I still work part time as a front of house assistant at my local theatre to support my practice.

Your current collection includes 'finishing off' discarded items with textiles, how did this start? 
During my degree I was particularly eager to challenge the preconceptions of embroidery as a ‘limited conservative craft’, so I became interested and curious in sewing on materials and exploring subject matters that were not normally associated with embroidery. I love to re use materials if I can sew on it I will usually work with it!

What are some of your other collections like?
Other collections of my work comment on issues of the economical climate and are corporate culture; I have also recently launched an Interior accessories collection too! Transforming the surface qualities of paper into cloth.

Kirsty, you recently won the Embroiderers’ Guild scholarship, so what are doing with it?
I am currently working on my proposed project titled ‘A stitch in Time (2011).’ The aims for my time on the scholarship are to investigate the relationship between textiles and graphic elements such as typography and ephemera. I want to explore the partnership of digital technology and handcraft, integrating both processes reflecting on the process of change and how digital technology impacts on our society and daily lives.

I am currently exploring the potential of communicating ideas through stitch, print and digital technologies. I intend to explore how textiles can be concerned with and comment on contemporary issues and affairs focusing on last year’s London Riots.

As part of the scholarship I have been invited to display my work on the Guild’s stand at the Knitting and Stitching shows in London and Harrogate at the end of the year. I will be displaying my proposed work at the Guild’s AGM in April 2013.

What does the future have in store for your textile art? 
A personal ambition of mine would be too be involved with a site specific project or commission. In the future I would love to have the opportunity to collaborate with other makers, architects and graphic designers.

Where would you love to see your work hung?
As of yet I have only had to the opportunity of exhibiting my work in a gallery setting so would love to view my work in a open space, It would be great to see my work in a new perspective. The Tate Modern is a dream of mine though!


Kirsty’s work is currently exhibiting at:

Magnificent Stitches
The Embroiderers' Guild Celebrates Embroidery
28 April - 16 June at Guildford House Gallery, Guildford

Magnificent Stitches is a celebration of embroidery, the Embroiderers, Guild, and of course its members. The local Guildford Branch will be featured with a display marking its pearl anniversary - 30 years as an Embroiderers' Guild branch.


And some Forthcoming Exhibitions:

Found
2nd Aug - 27th Oct 2012 at Unit Twelve Gallery, Stafford.

Found: vb. to bring into being; to discover by chance; to come upon by searching; to perceive.
Work from Jennifer Collier, Judith Brown, Lucy Elsie Harvey, Alys Power, Kirsty Whitlock, Iain Perry, Naomi Greaves, Lucy Harding and Tracie Murchison.

The Knitting and Stitching Shows 2012
Alexander Palace, London 11-14th October 2012
and Harrogate International Centre 22-25 November 2012

Well established as THE textile event of the year, The Knitting and Stitching Show is a feast for the eyes to anyone interested in textiles! If you are passionate about stitching, knitting, quilting, crafts or any other form of textiles you're in the right place!

I think we will definitely go and check out her work when we go to the Knitting and Stitching show in October and I love the idea that items can be finished with material.  I am a little obsessed with materials, so I don’t know how Kirsty chooses!

Live it
H